Monday, November 16, 2015

Ms. Rapscott's Girls by Elise Primavera

I don't read as much for early readers as I should, but I couldn't help being intrigued by the cover of Ms. Rapscott's Girls by Elise Primavera (Penguin - Dial). I found it under a pile of mess the other day--what good book doesn't live in a pile of mess, at least some of the time--and decided to flip through it. Illustrated more than many chapter books with pencil pictures, it sucked me in with its mysterious illustrations, and then with its charming text. Basically, imagine that Mary Poppins and Lemony Snicket had an optimistic child that decided to write stories when she grew up.

Ms. Rapscott has a school for Girls of Busy Parents, and sends out five pre-paid boxes; parents need merely insert their children and send them away. Four of the boxes arrive with disgruntled, neglected girls; one has arrived sans girl, because her parents were too busy to close it properly.

The rest of the girls find themselves at school having an adventure, and some of it is finding the missing girl, and some of it is finding themselves. There is a perfect age for this book, and that's just when you're a good enough reader to understand wordplay and have enough of an understanding of fiction vs. reality to not be frightened of the idea of your parents sending you away (possibly the same age as you'd need to be for Nancy and Plum).

Some older readers have marked this out as too twee for love. I can see that, but it just skirted the border there for me, and I couldn't help giggling now and again. Maybe, too, I know enough girls with neglectful parents, and maybe I liked the idea of bossy, impervious, fearless Ms. Rapscott, and maybe I liked a flock of irrepressible, unlovable, isolated girls finding their true independence, and maybe I liked the found family aspect. Maybe. Okay, a lot.

I had a couple of momentary dislikes; I thought that a couple mentions of fat people weren't nuanced, and I definitely wished for more diversity among the set of little girls (surely there are busy, distracted families with histories that can be traced to all corners of the world?). Still, because of the particular reader that I am, I was delighted on the whole, because it's so rare to find girls in a pack in books--in so many ways, we are only allowed to exist as different, only, chosen, friendless. And I think the world could use a little more sticking together.

Friday, June 26, 2015

Signal to Noise by Silvia Moreno-Garcia



Signal to Noise
Silvia Moreno-Garcia

Meche, Sebastian, and Daniela are struggling with their social status in high school in Mexico City in 1988. Meche, fluent in the language of music (one of the few things she has in common with her father), makes a startling discovery: she can use music to harm a bully. The manifestation of magic is something she shares with her grandmother, but their communication is too strained for Meche to learn from her. Meche realizes that she can feel magic’s power in vinyl, and that with Sebastian and Daniela’s (sometimes reluctant) help, she can make their wishes come true—only, not all of their wishes are for good, and the magic could tear her friendships apart.

Interspersed with the scenes of 1988 are scenes of Meche’s return to the city in 2009 after a long absence. She has come to mourn her father, not to mend old wounds. Still, she can’t escape the evidence of her past, and all of the feelings and memories that come with having had a taste of magic.

While music is an important theme in Signal to Noise, I was fascinated by the oft-ignored theme of magic with consequences. Here, magic complicates what is already complicated. I particularly want to chew on the idea of failure, too—failure to reach across generations and friendship fault lines, and what happens when people fail to pass on important information, leaving the followers to draw conclusions that aren’t always kind, or true, or fully understood. Failure to see the outcome of actions. Failure to find self-realization. Still, all of the failures lead to bittersweet reckoning.

If none of this hooks you, consider Signal to Noise for Meche, its angry, flawed heroine. She’s a character you’ll want to both comfort and unravel. –Undusty New Books




One other thought that is far enough removed from the book and its contents that I wanted to mention it separately from the review: this book came from Solaris, a UK imprint. I kept getting snagged on a handful of words that felt very British, and “which” where I expected “that” (US and UK usage differs considerably; the UK uses which in restrictive situations, whereas the US does not, except when we get confused about grammar or, sometimes, want to try to sound smart and don’t know the difference). I do read books in other Englishes, and like them; why should I expect a book in English that is set in Mexico (and that in my head is taking place in Spanish, just in some way that I can understand completely) to use US English? Something for me to think about, as I often have stopped reading books in translation, finding them flat and dry (and wondering if they were vibrant originals), and have stopped reading books because of, say, punctuation dissonance (I’m thinking of Born Confused, which I’d actually really like to finish someday—maybe I need to audiobook it—but always end up putting down because the dashes feel like smacks to the brain, and I can’t muster the sustained energy to read it in one go and remember what’s going on). Always the struggle between want to read and enjoy reading, between push self and find comfort, between seeking familiarity and novelty, perhaps.

Saturday, April 4, 2015

The Interrogation of Ashala Wolf and Station Eleven

Well, what do you know; while I've been busy elsewhere, Blogger has reinvented that who-you-follow part of its back end, which was one of the reasons I started posting about books here. Once the RSS feed-thingy went away, I didn't have so much of a sense that I was contributing to a community, or any easy way to read what other people were blogging about.

I spent nearly all of this week in bed, and while I was too busy sneezing and trying to clear my head enough to breathe most of the time, I did a little reading. And, because I need to keep myself awake for a few more hours in the middle of an ambitious sleep-shifting back to "normal" hours while not overtaxing my blurry brain, I'll tell you about some of it, though I confess I didn't absorb as much as I normally would have.

One of the books I read: The Interrogation of Ashala Wolf by



Friday, June 6, 2014

The Third Eye by Mahtab Narsimhan

The Third Eye (The Tara Trilogy #1)
Mahtab Narsimhan 
Dundurn, 2007
paperback edition

Tara’s mother and grandfather disappear in the middle of the night, and soon, her father remarries, leaving Tara and her little brother, Suraj, pitted against an evil stepmother. In true fantasy fashion, the stepmother pampers her own child and neglects Tara and Suraj. It’s almost unbearable for the children, especially since their father is a mere shell of his past self, unable to spin the tales he used to tell. When a strange newcomer, Zarku, tries to usurp Tara’s missing grandfather’s place as the village healer, Tara hatches a plan to scour the dangerous forest for her missing relatives. However, the night is dark and full of vetalas…and before things are done, Tara forges an alliance with Lord Yama, the god of death.

The Third Eye won the 2009 Silver Birch Award from the Ontario Library Association for books aimed at young readers. It’s not hard to see why: Third Eye is an engrossing, fast-paced fantasy adventure that incorporates Indian culture and Hindu stories. I loved that Tara’s quest is not only to save her family (and her relationship with her younger brother is, frankly, cute), but to save the men of her village, who are Zarku’s biggest targets. How often does a little girl end up in that position? I also enjoyed how stories and storytelling were embedded within the plot, such as the inclusion of Tara’s father’s stories, which gave me a pleasant sense that the story was operating on multiple levels.

The writing is uneven at times, and I sometimes wished for more attention to introducing details at just the right time. I also wished for a little more subtlety in the struggle between good and evil. Still, when this story is good, it’s especially good. I devoured most of the book on a plane ride, and I’ll be going back for the rest of the series—this book ends on a breathtaking cliffhanger.

This review first ran in the June 2014 Sirens newsletter.

Tuesday, May 27, 2014

Jumped by Rita Williams-Garcia

I was packing up some books, and I checked to see what I wrote about Jumped by Rita Williams-Garcia (Amistad). Much to my surprise, nothing, even though this was a highlight on the contemporary shelf I've been clearing out.

Trina, Dominique, and Leticia are in a pressure cooker also known as adolescence. Trina, a young Latina girl immersed in art and a self-imposed picture of her worth, is too self-absorbed to notice when she accidentally wrongs Dominique in the hall one morning. Dominique, banished from the basketball team, focuses her anger there, and vows to take Trina down after school. Leticia witnesses the whole thing, but is inclined to never, ever get involved--she'd much rather watch the world than be part of it, even though she's the only one who has the voice to prevent the coming violence. Over the course of just one day, Leticia has to decide.

There are two things that fascinate me about this book. The first is how much Williams-Garcia packs into the slender story. There's the despair and powerlessness of getting through school and all its restrictions along with the acknowledgment that one can have great power within such a system. There is the idea that we have choices we don't know we have. There's a look at addiction, in a way; here, it's to the short-lived stories that Leticia craves, whether gossip or on television. There's a look at the desire to control something, anything, in one's own life, especially when one cannot see any real future. There's an acknowledgement that we fail, that our schools fail, that our society has failed to support many students in huge urban schools. I've known girls like Trina, Dominique, and Leticia, and I know that the story on this page hasn't been fiction for them. Even without that, there is much to discuss, and I think Jumped would make an incredible classroom read.

The second fascination is the incredible voice. Chapters rotate among the girls, and each has a distinct and recognizable voice. I read so many books that alternate POV, and the main difference between the (usually two) main characters is whose name heads the chapter; if I'm lucky, the POV adheres a little closer to the chapter's character and doesn't repeat too much of what came before, or remove all of the mystery when the two meet. In Jumped, I have the sense that each girl is firmly rooted in her perspective, and that while they share some ideas and language by virtue of being at the same school, they each have a distinct story. Jumped is a must-read for writers who plan to narrate from multiple characters' perspectives.

Tuesday, March 25, 2014

Up in the Air by Walter Kirn

I've never seen the film of Up in the Air by Walter Kirin (various editions; I read the movie tie-in). I understand that few of the plot points are the same, so if you've only seen it, well, I'm interested in hearing what you think.

Ryan Bingham speaks corporate. He's a road warrior, position head-remover. When a company needs people fired, Ryan does it, and counsels them toward Believing in Themselves and Succeeding. He thinks MythTech might be going to swoop in and save him from this bilious sort of life. They're checking up on him, aren't they? Sending him secret messages, aren't they? We stay with Ryan for his last itinerary, during which he's trying to hit his million airline miles before he quits. He'll give some away to charity and take a trip. It'll be nice.

Before he leaves, Ryan leaves his resignation on his boss's desk. He tries to make his meetings while also pitching a book deal, having some hookups, and retrieving his sister, a runaway bride, before heading to the family homestead. It's all a bit bizarre.

For me, the jaded businessman was an okay story, but the more fun one was spotting the outdated tech (this was published just after Y2K). Executives worrying about cell phone minutes. Metal detectors only at airport security. Cassette tape players (already a little old then). And yet, because Ryan was really interested in his own security and how he was being watched by MythTech, there was something creepily futuristic (modern?) in his fear.

I confess I felt a bit cheated by the ending, but I also should have seen it coming, and it does leave the book open for re-reading and reinterpretation. I won't, but someone else might. Instead, I'll revisit some of the travel books I used to sneak read in my youth, like the infamous Coffee, Tea or Me?

That's the end of the adult book winter reading stretch; next, it's back to YA. I'm working on a contemporary shelf that I'm trying to box up, so it'll be a bit before I'm back to SF/F.

Tuesday, March 18, 2014

The Valley of Amazement by Amy Tan

You know, when I stumbled past Amy Tan being interviewed at last year's Book Expo America, I had to stop and listen, even though that's not what was on my itinerary. She's just an interesting lady! I put The Valley of Amazement (HarperCollins - Ecco) on my to-read list, and received a copy for Christmas, and since it's (for me) catching up on things not YA/fantasy/SF season, I grabbed the book out of the vast pile that I'm trying to pare down. (Books are going in boxes for a variety of reasons, and I won't see them again for a while.) I noted that I haven't read anything of Tan's in a while, but I think I thought I had because The Joy Luck Club is so often excerpted for tests and reading curricula.

Anyway.

This is a commitment of a book. It's quite long, and it's quite harrowing. Lulu Minturn runs a brothel in Shanghai in 1905, one where locals and foreigners can meet to mingle and do business as well as do business. Her daughter, Violet, is absolutely American until she realizes she isn't, and that her father is Chinese. The Qing dynasty comes to an end, and the plan to go to the United States, but one of Lulu's paramours tricks Lulu into leaving Violet for dead, and the paramour sells Violet to another brothel. There, she must be perfectly Chinese to survive.

There are a lot of themes I like in this book. One is long-term friendships between women; another is the love (and sometimes difficulty) of navigating relationships among several generations of women in the same family who have grown up under very different sets of rules. Another is recognizing, appreciating, and enjoying love--and understanding what love is not. Yet another is forgiveness. And another resilience. Another navigating being part of two very separate backgrounds.

I enjoyed the historical setting, largely because there's a focus on the everyday--what people ate, thought, wore. (I am not familiar enough to speak to its accuracy; I assume that some details are brutally honest, some changed to support the story.) I liked that the women here are complex--sometimes sympathetic, sometimes unlikeable, sometimes making choices or holding attitudes I think they shouldn't. I liked that the brothels aren't allowed to be too nice, even when we're nice; just when you think Violet is safe, we're reminded that even though this is fiction, it's based on a harsh reality. (It's too easy to be enchanted by the surface details of beauty and art and forget that the end result is sex for money with girls, and when they fall from grace, the rest of their lives can be short and violent. Details are not held back.) I thought that Violet's pull to be parts of two worlds and two races was interestingly mutable as she incorporated outside influences with her own feelings (and her observations and decisions are much more thoughtful than those of others, who want to simplify her at every turn).

It seemed to me that some spots in the book, particularly lengthy character monologues, replaced even lengthier sections that had had to be cut. I understand that Tan spent a lot of time with family and guides researching The Valley of Amazement, so she probably had more material than could be incorporated, and I sometimes wished for more polishing of those bits. However, everything else flew by, and I really was engaged by Violet and the other women who get a bit of narrator time. I'd recommend this for fans of Memoirs of a Geisha and Snow Flower and the Secret Fan, as well as for readers who like imperfect family relationships, sweeping historical stories, and friendships.
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